➊ Personal Essay: Twin Misconceptions

Friday, December 10, 2021 1:05:05 PM

Personal Essay: Twin Misconceptions

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Misconceptions About Twins!

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Over the years I have learned about my good and bad writing practices, tips to be a better writer, misconceptions of rules of writing and how they are all tied into effective time and time wasted. A common belief is that people are born writers and always enjoy doing it. They simply. Misconception: Painting is too pricey. We all use our logical brains; we all use our spontaneous imaginations. Plotting and pantsing are not exclusionary approaches. Rather, they are both necessary tools for bringing our fictional visions to life. By trying to box our processes into comforting camps of camaraderie, we may actually be stunting our ability to use the full range of available techniques.

The first draft of a book—even a long one—should take no more than three months, the length of a season. I probably turned a little pale, maybe even felt a little sick to my stomach. I know I definitely squirmed. Still, this speedy approach to writing has obviously served King and other bestselling writers well. I run mph all day, every day, the speedometer needle always in the red, churning out checkmarks for my to-do list at a crazy rate.

But interestingly enough, not with my fiction. My fiction I write slow and steady. The very thought of having to speed it up slays me and not in the good way. Instinctively, I somehow realized from the beginning that forcing myself to up productivity on my fiction would destroy my enjoyment and fulfillment in the process. So what is the point? Well, honestly, that depends on the writer.

You must be honest and brave enough to find your own path to fulfillment and success in your writing. Writing misconceptions are just part of the game. But we must be aware of the truth behind every statement. Use your own experiences and understanding to collect the bits that work for you and to incorporate them into your own process in the most meaningful way. Sign up to receive K. Weiland is the award-winning and internationally-published author of the acclaimed writing guides Outlining Your Novel , Structuring Your Novel , and Creating Character Arcs.

A native of western Nebraska, she writes historical and fantasy novels and mentors authors on her award-winning website Helping Writers Become Authors. A struggling single father moves from planet to planet to over protect his son from the dangers of the galaxy. But when his son is kidnapped and slowly brain washed by a galactic theocracy that wants to exploit his powers, the father must learn to cope with his past and save his son before he loses him foreve. I had a similar plot but the father was distant instead of overly close…where he and his son are a bit estranged…which one is better?

And thoughts on the basic premise? I love your insights. I asked him where it was supposed to be going. Then I asked him to focus on one word he wanted readers to be thinking about as they read the story. After a while and a few stabs he settled on conformity. Next I asked him what would happen if his main character conformed. He gave me a sensible answer. So I asked the opposite question. He gave me another reasonable answer. The only difference is the novella is shorter. Thank you. Is there a checklist for the structure for novellas or novels and the questions of dialogue, setting, well written characters and the pacing or timing and also so they are not flat characters or bland characters. For structure, this post is a good place to start.

My mer-folk live in a grotto or cavern. How would you describe a grotto or cavern or look at a picture? In my co-author story there are seven realms with mer-people, elves, fairies, humans, shape shifters, dragons and dwarfs also. In the co-author book Leilani is first mortal then becomes immortal when it is earned by her and zane. Her family lives in a grotto not a palace. Leilani is a seven foot tall mermaid who lives the sea but when she is need to go somewhere if they are sick she goes. Another misconception: you need to design an angle. Yesterday I was wrestling with an angle for a Facebook advertisement for my freelance marketing work including writing!

And I went for a swim to forget about the problem. I love all the conflicting and weird advice, because you really get a sense of how different all these writers are from each other, and how many different types of people it takes for the world to have such wonderful stories. Which Hemingway probably did, too, come to think of it. Certain techniques may be totally effective for what they trying to do, but not appropriate for your personal style. Or all or none of the above. Not every story is going to be appealing to everyone. You can work with a dog in the room instead of a cat. Or no animals at all, as bleak as that sounds to me. I believe this is an excellent approach. They come out a long time later. It really depends on the author and her current position within the writing journey as well.

They were necessary stepping stones within my education. They helped me refine my process, ask the right questions, and ultimately grow in confidence as I overcame them. Hear, hear! Some great advice here, about taking advice with a big old chunk of salt. It may or may not work for you, but hey, maybe give it a try and see. I am a pantser who after k words believes he should have an organized chart describing chapters to keep track of names, dates and places. I write what I want to be or see or do, not what I wake up to each morning.

Great article. It reflects my feelings. Write what you know — this, of course, refers to the emotions of life. Emotions are universal. We all know the sorrow of losing a loved one, the adrenaline rush of danger, a heart overflowing with love and the urgency of passion. THIS is what we know. Emotions are what grab and hold the reader. Thank goodness. On Facebook we continually see the despair of new writers getting hung up on the rules instead of just writing the story in their hearts. If only you could spread this word out to those despairing souls who are stuck on page 1, forever searching for the perfect opening sentence. Love ya, Katie!! I like how you break down the 5th one about writing fast.

I feel like I basically take dictation from my imaginary friends, and things like themes and outlines mean nothing to them. They just want me to tell their stories, and I often write down details that mean nothing to me at the time, but prove critical to the story later on. Am I just crazy, or, as I suspect, is writing its own kind of insanity? What we really mean when we say that is that our subconscious is surprising us. Learning how to harness the power of an outline, or plotting, or story theory, is really all about learning how to harmonize our conscious understanding with our subconscious instinct.

Definitely heard of some of these misconceptions, particularly 1 and 4. I might outline some things, but I have the tendency to start writing my first draft or chapter openings, even despite not having my whole novel outlined completely. Writing is a balance—in all things. Back and forth, back and forth, like the ebb and flow of the tides. Will you marry me? This post is key. Soooo important. Thanks for bringing this up and writing about it so eloquently. It always needs an editor! And not just a read-through by my wife.

Oh, yeah, I already have a wife. Who is smart, as well. Okay, it seems I just have a thing for smart women. Brain: When a young duke discovers a dragon, the first to be seen in years, he also comes across a hermit, who offers to train him how to ride. While training, he discovers a lost princess with incredibly long hair and a terrible truth about his supposedly dead father. Another new idea I recently got is about a villain who finds out his daughter is alive and living with former friends.

But back she goes and then she gets kidnapped by the really big bad and her father comes to rescue her and he might die in a heroic sacrifice. If I even go with it, of course. Ugh this is what my brain does to me. My solution: I jot down the idea, and I add it to my gigantic world for later. I turn things like this into writing exercises to get the creative juices flowing. It actually took me a long time to settle on a project. Kind of. I wrote a book about mermaids. So much for 1. I had a general outline of where I wanted my story to go, but I decided to fill in the details as I wrote. I was a combination plotter and pantser. So much for 4. I would amend that to say the first draft of a novel. I wrote the novel in November, took December off for holiday commitments, then came back to it in January.

I had a lot of revisions. I had to rework some scenes to get them to work with the theme 2 , and tried to make sure the story spunded logical 3. I hate watching TV shows or movies with huge plot holes. I finally finished about a year later. I was a pantser of the worst kind I really thought I just acted as a transcriptionist for my characters. But all those questions in that book… I made that hideous spreadsheet of them. I knew without hesitation. And you know, that story changed a few months ago. I got a better idea for it. Thanks to you! KM Weiland uses her intuition —yea! Every scene has to have conflict AND further the plot?

But of course now I know that this was revision advice. But once you calm your brain down and get into it enough to start understanding some of it, it has the potential to actually increase the enjoyment and fun of writing. Wow, the best writing advice and suggestions I have read this year. You have cleared up so many of the misconceptions that make me feel like a complete failure sometimes.

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