⌛ Cold Blood Character Analysis

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Cold Blood Character Analysis

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Eddie's mother was a wrestler named 'Adolf', [1] who abandoned him when he was young, leaving him her old service revolver and a note saying 'Please look after my baby, I can't be bothered. Despite sharing a mutual dislike, Richie and Eddie are eternally entwined together due to their basic flaws and they seem to have an unspoken care and need for each other as a result, having been friends for 25 years. Both have called each other best friends and Richie has referred to them as "the guys!

Richie tolerates Eddie's drunken behaviour and likewise Eddie tolerates Richie's pompous attitude. Eddie's alcoholism and violent nature mean that he has not been able to hold down a steady job since his very short-lived career as a ' bunny girl ' back in that lasted ten minutes and it is unlikely that any landlord would grant him tenancy, even if he could afford the rent. He therefore relies heavily upon Richie's charity. On the other hand, Richie can be very presumptuous and is constantly libidinous, and without Eddie he is unlikely to ever make another friend. The two have an unspoken acceptance of their interdependence and their relationship tends to fluctuate between acting like a married couple from filling in the crossword together and a mother and son relationship with Richie putting an unconscious, drunken Eddie to bed every night.

Both Richie and Eddie have died in numerous episodes, only to resurface unharmed the following episode. Richie becomes overly excited at the prospect of anything good happening and by comparison, Eddie is quite grounded in himself at least when he is sober. There is some debate over who is the most intelligent of the two. Richie considers Eddie 'the stupid one', however, Eddie appears to have quite good general knowledge. He can play chess and spends several hours trying unsuccessfully, to teach Richie. Also Eddie appears to have a greater knowledge of popular culture and the arts than Richie, as he knows a fair amount about Napoleon and Wellington who Richie claims invented the Chelsea Boot , and also appears well versed in the works of Vivaldi whom Richie believes to be a football player.

However, Richie is usually quick to spot the flaws in Eddie's latest schemes, such as when he noticed how terribly unconvincing his forged money looked in the episode "Dough". Also Richie can read, whereas Eddie rarely spells words correctly including his own name. Another example was the word 'scythe', when Richie pointed it out to him in the dictionary he thought it spelt the word 'zither' and he was also unaware of what a debt was. Both Richie and Eddie frequently use double-entendres either purposely as a joke or it is misinterpreted by the other.

The arguments between Richie and Eddie often lead to exaggerated and destructive fight scenes. Some have likened this to a live action cartoon. However, the boisterousness is somewhat more graphic: examples include heads slammed in and under refrigerators; hands stapled to tables; legs being chainsawed off; genitalia slammed in doors or set on fire; fingers cut off; televisions smashed over heads; darts, forks, or fingers ending up in eyes; faces shoved in camp fires; legs broken or teeth knocked out.

Some of the visual effects used for these events are very realistic, whereas others are deliberately fake. All are accompanied by a variety of over-the-top sound effects. The fights that Richie and Eddie have are not dissimilar to the ones Rick and Vyvyan have. Eddie has a violent nature that Vyvyan strongly possesses, and Richie like Rick believes himself to be more popular and intelligent than he really is. Although Vyvyan is not a heavy alcoholic like Eddie is, he appears to be the only one of the Young Ones who enjoys alcohol. His favourite drink being either vodka or babycham. Certain jokes that appeared in the Young Ones have also appeared in Bottom on a couple of occasions; for example, in the Young Ones episode "Oil", Vyvyan hit Rick in the crotch with a cricket bat to which Rick replied "Ha!

Missed both my legs! Eddie has on more than one occasion mocked Richie for being a virgin, and throughout most of the Young Ones episode "Time", Vyvyan taunted Rick for being a virgin to which Rick repeatedly denies. However, both Eddie and Vyvyan are believed to be virgins too. In the Bottom episode "Terror", Eddie believed that the Devil drinks virgins' blood, but immediately after he said this he looked worried.

In the Young Ones episode "Nasty", a vampire was loose in the students' house and Vyvyan smugly stated that he was not worried because he believed that vampires only attack virgins. However, only moments after he said this he muttered under his breath that he hoped "snogging with SPG counts". Another similarity between Eddie and Vyvyan is that neither of them know who their biological fathers are. In the final Bottom Live performance, while they are travelling through their time machine, Richie suggests doing some old material and impersonates Rick.

Eddie obliges to this and takes on Vyvyan's persona to which Richie joked that Eddie has not changed his material very much. From Wikipedia, the free encyclopedia. Wikipedia list article. This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. March Learn how and when to remove this template message. Eddie: Well, I've got a mother. Because Abigail is an orphan in a society that does not value women, she is forced to depend on her uncle's kindness and avoid upsetting him or risk being thrown out to live on her own without any means to do so.

Whether or not Abigail also thinks her uncle is petty and self-important is open to interpretation, depending on how the performers deliver certain lines or how the reader interprets them. Take the following exchange, for instance:. Either she's meekly agreeing with him…or she's subtly mocking him because she's heard him go on and on about how he is persecuted so many times. I tend to believe the latter explanation, especially given how often Abigail's lines contain dual meanings, but an argument could be made for either case. Abigail has a somewhat mixed relationship with the third member of the Parris household, Tituba.

Abigail seems to believe in Tituba's powers to the extent that she gets Tituba to make a potion to kill Goody Proctor presumably so Abigail can marry John. When it starts to seem like this information might come out, however, Abigail preemptively accuses Tituba of bewitching her and Betty in order to save herself. Mercy and Abigail seem to have a sort of partners-in-crime type of friendship—Abigail likes Mercy well enough to warn her by telling her what Parris has told Abigail he knows about the woods although this could be perhaps because Abigail's afraid of what Mercy might say if they don't confer.

On the other hand, Abigail appears to have nothing but disdain for Mary Warren, and is perfectly fine with bullying her:. Along with Ruth Putnam and Betty Parris, Abigail, Mercy, and Mary were in the woods with Tituba; along with Susanna Walcott, the girls form the core of the group of "afflicted" girls who accuse others of witchcraft during the trials. By Act 3, Abigail no longer fears anybody because of how much she has risen in status and how much authority she has gained.

She even faces off against Danforth the man with nominally the most power in the play as Deputy Governor of Massachusetts and gets him to back down from questioning her. Abigail is an accomplished and convincing liar —she lies easily, without any compunction or care for the truth, and can keep the lies going. From her very introduction, Miller tells the reader of the play that Abigail has " an endless capacity for dissembling " p. This characteristic is demonstrated in the first act of The Crucible when Abigail lies about what exactly happened in the woods:. But they're speakin' of witchcraft.

Betty's not witched" Act 1, p. As each of her lies is revealed to be such, she comes up with a new lie that she still gets people to believe, even though she was clearly just lying and there's no reason why she wouldn't still be lying. Within the space of one act, Abigail changes her story from "we were just dancing" to "Tituba sent her spirit on me and bewitched us"—and everyone buys it. Part of Abigail's success in convincing others of her lies stems from her ability to get herself to believe the lies. This occurs in Act 3 in the Salem court—Abigail manages to convince herself that she's being afflicted to the point where she goes into a fit that has real physical side-effects her hands are icy to the touch.

A large part of Abigail's believability, though, comes from societal preconceptions—it's unthinkable that such a lowly person young orphaned girl would dare lie to someone important her uncle who's taken her in, the Deputy Governor of the Province, and so on. Probably not the accolade Reverend Parris would want hanging from his door. Last but not least, Abigail is opportunistic. She seizes the chance to divert blame from herself and Betty by accusing Tituba of making them do bad things Act 1. Once Abigail has gained power as an "afflicted child", she seizes the chance to accuse Elizabeth Proctor of witchcraft and get her out of the picture that way Act 2. Furthermore, when Elizabeth falters under Danforth's questioning and doesn't admit Abigail was dismissed because Abigail slept with John Proctor, Abigail seizes upon that too and strengthens her position by screaming and going into a fit before Hale can explain further about what he means by "This girl has always struck me as false!

And when neighboring towns like Andover overthrow their witch trials and it looks like being someone who accused others of witchcraft might not be so safe anymore, Abigail grabs Parris's savings and leaves town discussed in Act 4. Abigail only appears onstage in Acts 1 and 3, although she is talked about by other characters in the other two acts. In Act 1, she enters very near the beginning right after Tituba has been shooed off by Parris and stays onstage through the end of the act; in Act 3, she and the other girls are summoned to the court towards the last third of the act to explain and deny Mary Warren's accusations, remaining onstage through the end of the act.

At the beginning of Act 1, Abigail is chastised by her uncle for possibly getting Betty sick with the dancing they did in the woods. Abigail tries to defend herself, saying that Betty was just startled when Reverend Parris "leaped out of the bush so suddenly" and that's why Betty fainted. Parris refuses to believe Abigail is telling the whole truth and wants to make sure they weren't up to even worse things than dancing, like conjuring spirits! He also wants to know if Abigail's reputation is still pure, which Abigail gets all snippy about understandably—who'd want to talk to her uncle about her purity? When it becomes clear that spirits were conjured during the "dancing" in the woods, Abigail says that it wasn't her doing the conjuring, just Tituba and Ruth Putnam.

Once the adults leave, Abigail confers with Mercy and Mary Warren about what to do. Abigail briefly manages to rouse Betty, who tries to throw herself out of the window, yells that "Abigail drank a potion to kill Goody Proctor," and then sinks back into an unresponsive state again. Abigail threatens everyone with violence if she says something about the potion. When Abigail finds herself alone with John Proctor, she approaches him to see if she can get him to resume their affair, but he turns her down. Abigail is not happy about this and says it's his wife making him do it, which makes Proctor threaten to whip her although to be fair, this is his default for dealing with women who upset him.

Hale arrives and begins to question Abigail about her actions in the woods. When pressed, Abigail blames Tituba, who is then fetched to explain herself. Before Tituba can say anything, Abigail preemptively strikes by saying that it was Tituba who did all the bad things like conjuring and creating potions, knowing that because Tituba is one of the few people in Salem below Abigail on the social ladder, the other Salem residents will find this easy to believe.

After Tituba confesses, Abigail says that she, too, wants to confess her sins and come clean with God. She and Betty go into an orgy of crying out names of townspeople as witches as the curtain falls " On their ecstatic cries " Act 1, p. It turns out that while at dinner at the Parris house, Abigail fell to the floor, writhing in pain, and a needle was pulled out of her by Parris; Abigail then "testify it were your wife's familiar spirit pushed it in" Act 3, p. It also turns out that Abigail was sitting right next to Mary in court as Mary made the poppet and stuck a needle in it for safekeeping, which could have given Abigail the idea to throw the fit at dinner and accuse Elizabeth, but the hysterical Cheever, Herrick, and even Hale don't seem to think that this is reason enough not to arrest Elizabeth.

Abigail is brought into the courtroom along with the other afflicted girls by Danforth for questioning. She denies that she has lied about the supernatural torments she's been through, affirming that Mary is lying and that "Goody Proctor always kept poppets" Act 3, p. In the midst of dressing down Danforth for doubting her, Abigail suddenly seems to go into a trance or some other altered state.

During this fit, she looks at Mary Warren with the implication being that Mary is the one causing this —the other girls follow Abigail's lead and do the same. When Abigail looks up to heaven and asks for strength, however, she is assaulted, yelled at, and accused of being a harlot by John Proctor. Danforth asks Abigail to deny or confirm that she had sex with John Proctor when asked by Danforth, but Abigail refuses "If I must answer that, I will leave and I will not come back again! Abigail leads the girls into another fit after Elizabeth Proctor exits the courtroom, this one explicitly targeting Mary Warren as the source:.

Envy is a deadly sin, Mary. She and the other girls descend into full-blown hysteria, mimicking Mary Warren's every action and word until Mary caves under the pressure and accuses John Proctor of being the Devil's man. What happened to Abigail? We learn via Reverend Parris that she has vanished, possibly via ship, and taken all his savings. In "Echoes Down the Corridor" the epilogue immediately following Act 4 , Miller informs us that "[t]he legend has it that Abigail turned up later as a prostitute in Boston" p. Abigail is the most complex female character in The Crucible. Unlike Rebecca Nurse the wise, saintly old woman , Elizabeth Proctor the frigid and betrayed wife , Mary Warren the girl who just wants to feel important and fit in with the cool kids , or Tituba the slave who was forced into saving herself by accusing others of witchcraft , Abigail's character cannot be neatly labeled as just one thing.

Instead, there is a complex interaction of different motivations that lead Abigail to act as she does during the events of the play. An easy, surface explanation of Abigail's character is to label her as a calculating sociopath, and there is some evidence that supports this claim. In Act 1, Abigail does seize upon the opportunity to divert blame from herself to first Tituba and Ruth p.

She doesn't care at all about the fates of the women being blamed—she's just accusing them to further her own ends. A wind, a cold wind, has come. Her eyes fall on Mary Warren. No, I cannot, I cannot stop my mouth; it's God's work I do. Finally, in Act 4, we learn Abigail has stolen her uncle's money and run away. When viewed through the lens of "calculating person who does not feel emotion," the reasons for Abigail's actions become very simple: she acts as she does because she has no empathy for others and cares only for herself.

Here's just a smattering of other arguments that could be made to support this conclusion or thesis:. When she's kicked out of the Proctor house and sent back to her uncle's, she's upset, not because she loves John, but because of the loss of her good reputation. She's only concerned with Betty's illness because it means Abigail will get into trouble, and the reason Abigail doesn't immediately say that Betty's suffering from witchcraft is because Abigail doesn't realize that's the best tack to take until later. She wants to kill Goody Proctor and marry John not because she cares about him, but because it will increase her social status and also gain her access to intimate relations with Proctor's "unexpressed, hidden force" p.

She accuses other people of witchcraft because it benefits her by helping her get out of trouble for dancing and conjuring in the woods; it also makes her seem more powerful especially if those people "confess" and so corroborate her accusations. She purposefully throws a fit to discredit Mary and pressure Mary into recanting her statement to protect herself.

When she's at risk of losing her power and authority because of events in Andover, Abigail steals her poor uncle's money even though he had housed and fed her after her parents were killed and runs off, eventually becoming a prostitute. Maybe you can tell by how hyperbolic my language got at the end there, but I don't think that writing off Abigail an emotionless, manipulative person and ignoring any other facet of her character is a particularly useful or insightful way to analyze her character. In addition to being motivated by opportunism taking advantage of the situation to get an outcome that's best for her, no matter what the cost for others , Abigail also seems to be motivated by a desire to avoid getting into trouble with authority which means she needs to keep her reputation clean.

Unlike with Mary Warren, however, Abigail's wish to avoid trouble is not coupled with a desire to please. She wants to avoid trouble not because she wants to make everyone happy, but because that is the safest thing to do. And in contrast to John Proctor, who struggles through the play with how he's compromised his sense of himself by committing adultery, Abigail doesn't seem to care as much about the principle of having a good reputation—she's more concerned with the practicality of how being considered "soiled" might negatively affect her. All of you. We danced. And Tituba conjured Ruth Putnam's dead sisters. And that is all" Act 1, p. In Puritan Salem, dancing and conjuring dead people are NOT activities that are good for your reputation, particularly if you're in a precarious social position to begin with orphaned, young, girl, fired servant.

Being found guilty of these acts, however, will merit far less punishment than being found guilty of adultery and of trying to kill the wife of the man you committed adultery with. It could be argued that part of Abigail's desire to avoid trouble at all costs stems from her traumatic past. When The Crucible begins, Abigail is an orphan living with her uncle and cousin, but her parents didn't just die of cholera or some other natural cause. Abigail explicitly states "I saw Indians smash my dear parents' heads on the pillow next to mine" Act 1, p. Perhaps because of this previous upheaval, Abigail doesn't seem to quite trust that her uncle will love her and let her stay there, no matter what:.

Whether or not Abigail's fears of being kicked out of the Parris's house are justified, they're still a motivating factor—she wants to avoid getting into trouble so that she doesn't lose her only home. As Act 1 continues, Abigail continues to try to defray blame and to play down the "dancing in the woods. For example, take a look at this series of exchanges between Hale, Parris, and Abigail:. Abigail, what sort of dancing were you doing with her in the forest?

Did you call the Devil last night? Step by step, Abigail adds more information as she is pressed to explain herself by Hale and Parris. The clinching moment for me and the reason I don't think Abigail is so much calculating as she is trying to avoid trouble is this next exchange Abigail has with Reverend Hale:. HALE: Did you feel any strangeness when she called him? A sudden cold wind, perhaps? A trembling below the ground? Abigail does not immediately seize upon the suggestion of witchcraft that Hale so blatantly puts out with his leading question "Did you feel any strangeness when she called him?

If she really were entirely calculating and opportunistic, there's no way she would have passed up on an opportunity to push the blame onto some external force here, when she's under pressure. Abigail's breaking point happens when Tituba is brought into the room—the only way out for Abigail to maintain her status as a good and proper girl and to avoid getting into even more trouble is to strike first; there is no other option that ends well for her in this scenario.

Distress , used under CC BY 2. A similar argument could be made for why Abigail acts the way she does in the courtroom in Act 3, although now she's changed from being on the defensive saying she never did anything wrong to being on the offensive accusing Mary of lying, threatening Danforth when he doubts her. Abigail has gained an enormous amount of power and authority since her introduction in Act 1, which means that she no longer has to worry as much about her reputation—anything negative that's said about her she can lie about, and her word will be believed as it is with Mary Warren. Abigail does, however, still try to avoid answering the question of whether or not she committed adultery with John Proctor:.

But this could also be her still trying to walk the fine line of avoiding getting into trouble and avoiding telling lies, particularly because this subject is one that she cares about. The other exception to Abigail's "offense is the best defense" stance is at the end of Act 3, when she doesn't do anything to counter Mary Warren's accusations against John Proctor. From a pragmatic point of view, this still makes sense, because the safest thing to do is to back up Mary's accusations by praising God; if Mary's shown to be a liar and pretending to be afflicted, then the whole house of cards will come tumbling down and Abigail will be in a huge amount of trouble that she won't be able to talk her way out of. The final piece of Abigail's character puzzle is her relationship with John Proctor.

I'll begin the discussion of this motivator through a common discussion question asked about Abigail in The Crucible :. How did Miller's deviation from the "historical model" affect the play? He was 18 years older and her employer? She wasn't even 18? And he constantly threatens to whip women of a lower social status if they displease him? That's still uncomfortable and upsetting. Arthur Miller also throws in at the end of The Crucible in "Echoes Down The Corridor" the rumor that Abigail eventually becomes a prostitute in Boston, 20 years down the line. As far as I've been able to discover from researching it, there's zero truth to this—Abigail most likely died in the s, since nothing is ever heard about her again. Thus, Miller very much shaped Abigail's character from an year-old servant girl into a sexually predatory woman and used that to drive conflict in the play.

I know you, John. I know you. She is weeping. I cannot sleep for dreamin'; I cannot dream but I wake and walk about the house as though I'd find you comin' through some door. She clutches him desperately.

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