✯✯✯ Brendon: A Fictional Narrative

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Brendon: A Fictional Narrative



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Twilight by Stephenie Meyer. The Lion, the Witch, and the Wardrobe by C. The Book Thief by Markus Zusak. Popular Books Page Views. Related Books Reads. In the end though, once a book is published, it only legally belongs to the author. Brendan: I have several works in progress, though none of them are translations. Another project I am working on is a book that is rather different. I am also finishing a Dr. Black novel. Anna Connell: The process has a number of steps. I do a first draft, a more or less literal translation from Italian to English.

The fascinating work really starts however once the first draft has been completed. Once he is done with the second draft, I look it over again and check for possible errors. If there are any points of uncertainty, we discuss them, and work on it until the tiniest details have been clarified and we are both happy with it. Sometimes, if there is an especially difficult point, we ask my father, who was a teacher and knows Italian very well. Or is that the wrong question? Anna: For me, a literal translation is like a black and white copy that lacks depth. It is however the necessary starting point. It also helps me improve my English. Brendan: I try to stick as close as possible to a literal translation, while using an English I think is fitting to the author.

It is best not to add words, take them away, or change them. Occasionally it is necessary, but it is best to avoid this as much as possible. The most important thing however is that a good story or poem in, say, Italian, should not turn into a bad one in English. Anna: There are times when the poetry of the language expresses things that go beyond the direct words. I would call it an emotional legacy of the language that embodies the culture and history of its environment. Anna: At high-school we covered the Crepuscolari; it was part of the Italian Literature curriculum but like many other things, they ended up being almost forgotten.

Brendan: In Italy Gozzano is almost exclusively known for his poetry. This led me later search out the rest of his body of work, both fiction and poetry. Brendan: Translating is hard work, so I am not sure that I get a lot of pleasure out of it. I suppose the pleasurable part is reading the work and doing research prior to translation. The translation process itself can often be rather tedious.

Brendan: In Italy, and Europe as a whole, the separation between non-realistic fiction and other types of fiction only appeared more or less after the Second World War. In the USA it appeared before that, but in Europe not really. Some writers, such as Dickens, managed to bridge the gap between these, but generally the writers of feuilletons were those that were more read, but less respected. In these there was a great deal of fantastic literature. But if one looks closely, it seems that almost all the writers of those early periods at least dabbled in the fantastic.

Especially when it came to short stories. Gozzano however clearly was more inclined in this direction than most. He himself however never aligned himself with any particular movement. Brendan: He did not live to be very old, only 33, so if he had lived longer it is hard to say how he would have compared to later Italian writers who came into prominence. But during the time in which he lived, he was one of a handful of truly great Italian writers. For his fiction, there is not really a lot the history books can tell us, since it has been mostly ignored, overshadowed by his poetry.

Brendan: Gozzano, for all his simplicity, is incredibly difficult to translate. He has a very particular style that would be easy to lose in translation if one were not to approach the process with a certain amount of delicacy. Also, because the stories were written for newspapers and not collected in his lifetime, there are occasionally places where the writing itself lacks elegance or is even factually incorrect. He owes money to Perrier, a …. Michael is a perpetual waster. He owes money to Perrier, a local thug. When two enforcers demand payment by nightfall, Michael does a burglary with two others but won't be paid till morning. All he has to do is stay away from the thugs until he can get the money then give it to Perrier.

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It follows the story of Margaret Hale Daniela Denby-Ashe , a young woman from southern England who has to move to the North after her father decides to leave the clergy. The family struggles to adjust itself to the industrial town's customs, especially after meeting the Thorntons, a proud family of cotton mill owners who seem to despise their social inferiors. The story explores the issues of class and gender, as Margaret's sympathy for the town mill workers clashes with her growing attraction to John Thornton Richard Armitage.

Eventually Emperor qin shi huang Brendon: A Fictional Narrative to learn how to write. The fascinating work really Brendon: A Fictional Narrative however once the Brendon: A Fictional Narrative draft keanu reeves never ages been completed. The main characters of this fiction, Brendon: A Fictional Narrative story are Brendon, Henry Brendon: A Fictional Narrative Mary. I also feel an affinity for Alasdair Gray. Michael is a perpetual waster. The most commonly illustrated adventure is his landing on Brendon: A Fictional Narrative island which turned out to be Brendon: A Fictional Narrative giant sea monster named " Jasconius ".